Recently we took our Die Fledermaus adaptation into local community centres so that elderly lunch club groups can hear a professional opera singer and pianist perform live and chat to them about what it’s like to work as a professional musician.
We asked our session leaders to tell us what their favourite moment was: Read more
So after the excitement of our young people’s workshops and our two school parallel productions for Die Fledermaus getting underway, we’re now pleased to tell you about our sessions for local elderly groups across Merton and Wandsworth!
Because our unique street opera concept means that audience members need to be able to stand for most of the performances and walk around to follow the story of our characters around the high street, it means it’s not suitable for those less physically able. So this means that we also go into local elderly organisations and run sessions for them so that they can also engage with our work.
We’re thrilled that shortly we’ll be running sessions at old friends including Merton & Morden Guild and Friends in St Helier, who we previously worked with for Drifting Dragons and A Secret Life as well as going to new organisations including the Alzheimer’s Society.
Our brilliant singers Claire Wild, Abigail Kelly and David Horton will sing a couple of arias for the groups accompanied on piano by Juliane Gallant and Giles Kennedy, talk to them about their work as professional opera singers and pianists while Astrid will talk about the company and show edited filming of the Die Fledermaus Research & Development and our previous Cosi Fan Tutte Street Opera.
We’ll be back in touch soon to let you know how the sessions go and our plans to run further sessions later on in the year! Read more
We asked Elliott, our workshop leader for the St John Bosco College Parallel Production to give us an idea of what the groups are getting up to….
St Marks Primary School Workshop
In the beginning was the word, and the word was FUN! Toward the tail end of 2018, I was lucky enough to lead taster workshops for both our prospective primary and secondary school cohorts. The plan, to take Baseless Fabric’s modernised version of the classic, ‘Die Fledermaus’ and go wild with it; adding characters and scenes or doing them in new and different ways, learning to sing with correct operatic technique, acting, song and script writing and of course we play games! As you can imagine the reception was fantastic and our taster sessions were so much fun, we had scenes set anywhere from a hilarious family dinner, just after Eisenstein had gotten in trouble with the police, to a party at the top of a mountain and a marriage counselling session between Eisenstein and Rosalinde on the moon. Read more
We had a great time in our Research & Development rehearsals and sharing last week. Thank you to everyone who came along to see what we’ve been up to so far and give feedback. As well as working hard on the music, staging the scenes and making sure the storyline is clear we also asked our singers a few questions to help you get to know them….
Claire Wild: I want to be the invisible one from Fantastic Four for a million reasons really, but mostly to be sneaky and overhear conversations.
David Horton: Nightcrawler because he can teleport and is super agile and I’m neither of those things!
Alistair Ollerenshaw: Spiderman – to be super agile and be able to swing from buildings.
Abigail Kelly: Scarlet Witch as she is possibly the most powerful being in the Marvel universe. Read more
Die Fledermaus is a hugely fun, often silly story with some brilliant characters and very catchy tunes. Die Fledermaus means ‘The Bat’ but in our modern version Bat Man may play a role instead! Funded by the Wimbledon Foundation’s new Arts and Community Engagement Fund (ACE), Arts Council England, Merton Council and the Samuel Gardner Memorial Trust, our Die Fledermaus production follows on from the success of our two previous Merton Street Operas Drifting Dragons and Cosi Fan Tutte. Like these previous productions, Die Fledermaus has been cut to approximately an hour, with a new modern English accessible libretto, and with the music re-written for 3 instruments suitable for promenade performance. The final production will take place in summer 2019 with scenes popping up along the high street and with the audience free to follow our characters down the street or just watch one scene. The music has some waltzes this time round so hope you’ll be waltzing down the high street with us!
On the 29th November at Wimbledon Theatre Studio we will be presenting a few scenes from our new adaptation, discussing our work and asking for your feedback (duration approximately an hour). If you would like to join us please click to book your ticket now. Tickets are FREE but limited so please register.
We are pleased to announce the cast of Die Fledermaus!
Claire Wild
Claire Wild attended the Royal Northern College of Music‚ sponsored by the Peter Moores Foundation and the Musicians Benevolent Fund. She won the Webster Booth Award‚ the James Oncken Song Prize and the Frost Brownson Award.
Highlights in recent seasons include Lilli Vanessi / Katharine in Kiss Me, Kate and Elle La voix humaine for Welsh National Opera, Susanna Le nozze di Figaro for Regents Opera and Petra in A Little Night Music for Opera Project at West Green House, Welsh National Opera as Emma in Khovanshchina and Garsington Opera as Caridad The Skating Rink, a newly commissioned opera by David Sawer. Read more
