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What do LEGO, Peter Brook and Beyoncé have in common?

They’ve all done re-imaginings of Carmen!

Reimagining Carmen – one of the most famous operas fullstop – for our Baseless Fabric #HighStCarmen version definitely feels more weighted than our previous Cosi Fan Tutte or Die Fledermaus. There is so much history to it and so many people have so many opinions on both the character of Carmen and the story itself! However, it is also one of the most adapted stories – in fact Bizet and his librettist collaborators (Henri Meilhac and Ludovic Halévy) adapted it themselves from Prosper Mérimée’s novella. And we are never ones to back down from a challenge of a bold re-imagining so here’s some of the good company we’re in – you might find a new favourite interpretation of this story yourself! Read more

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Announcing the Cast of Carmen!

We are delighted to announce the cast of Carmen:

Felicity Buckland – Carmen (Arcola Theatre)

Felicity Buckland

Felicity trained at the RNCM and on English National Opera’s Opera Works programme.

Recent solo appearances include Kasturbai, Glass Satyagraha for ENO, Wellgunde Wagner The Rhinegold for Birmingham Opera and Nicklausse, Offenbach The Tales of Hoffmann for Kentish Opera. Previous ENO highlights include cover roles in The Valkyrie, The Mask of Orpheus (Birtwistle), Orpheus in the Underworld, Carmen, and Olivier-Award winning Porgy and Bess. Elsewhere she has sung the title roles in Carmen (Kentish Opera) and La Cenerentola (High Time Opera); Rosina The Barber of Seville (Opera South) Rossweisse Die Walküre (Grange Park Opera); Olga Eugene Onegin (Opera Up Close, Opera South East, Mid Wales Opera (cover)); Dorabella Così Fan Tutte (Baseless Fabric Theatre); Cherubino The Marriage of Figaro, and 3rd Lady The Magic Flute (both Opera Up Close). She is a regular extra chorister for The Royal Opera House, ENO and Opera North.

Felicity is in demand for solo oratorio, music education projects and consort/session work, and is delighted to be a regular part of Baseless Fabric’s Learning and Participation Projects. Read more

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Covid Safe Care home concerts

During late September/early October 2020 we headed to seven different care homes across Wandsworth and Merton to provide a concert to their residents and staff to try and bring some musical joy and lift spirits during these difficult times of Covid 19. Kindly funded by Wimbledon Foundation, Merton Giving and Sylvia Waddilove Foundation we performed outside in the car parks and gardens of care homes so that residents and staff could safely enjoy our socially distanced performance. Check out our video for a peek at what we got up to! Read more

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For the love of libraries….

As Mamet plays in libraries is a bit different to opera on the high street, we thought perhaps you might be interested to hear a bit more about our forthcoming production of Reunion and Dark Pony and why it’s taking place in libraries across South London.

Firstly, we aim to present one opera and one theatre production a year. Last year it was street opera Drifting Dragons and digital promenade theatre piece A Secret Life, which took the audience on a journey round the streets and ended up for a scene in the wonderful Mason’s Arms pub. Both of those projects were new pieces based on local people’s stories and inspired by the many local people across Merton and Wandsworth we spoke to about their memories.

This year we have left new stories to re-discover old ones and present them in unusual public places. You don’t often hear Mozart’s Cosi Fan Tutte in the pub or the supermarket do you? But you do with us! So we wanted this year’s theatre production to also be a classic in an unexpected place.

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