After the success of last year’s Cosi Fan Tutte and with the amazing opportunity afforded by Wimbledon Foundation’s Arts & Community Engagement Fund, we were excited to get to work on the tricky but satisfying process of adapting another opera for performances along the high street to reach audiences who might never go to see an opera in a traditional opera house / theatre venue.
As we’d had such positive audience responses to our adaptation of Cosi, we decided to have the same team re-writing Die Fledermaus – myself, Artistic Director Joanna Turner, re-writing the libretto (the words the characters sing) and Leo Geyer re-writing the music (changing what’s written for a full orchestra to 3 instruments, changes to vocal lines and of course making sure our massive cuts work musically). Together Leo and I also cut the opera down to about an hour and adapt it to make sense for the modern high street. Read more