Edward Lewis – Sound Designer

Recent theatre includes: Cuddles (Oval House Theatre, Ignorance (Hampstead Theatre), Gravity (Birmingham Rep Theatre), A Midsummer Night’s Dream (Almeida), Thorn Pain (Print Room), On The Rocks, Amongst Friends and Darker Shores (Hampstead Theatre), Slowly, Hurts Given and Received and Apple Pie (Riverside Studios), Measure for Measure (Cardiff Sherman), Erno (Bristol Old Vic and Young Vic), Once Upon a Time in Wigan and 65 Miles (Paines Plough / Hull Truck Theatre), Krapp’s Last Tape and Spoonface Steinberg (Hull Truck), The Shallow End (Southwark Playhouse), I Am Falling (Sadler’s Wells and The Gate, Notting Hill), Orpheus and Eurydice and Quartet (Old Vic Tunnels), The Beloved (The Bush), The Stronger, The Pariah, Boy With A Suitcase, Walking The Tightrope, Le Marriage and Meetings (The Arcola), Hedda and Breathing Irregular (The Gate, Notting Hill), Madness in Valencia (Trafalgar Studios), The Madness of George III, Kalagora and Macbeth (National Tours), Othello (Rose Theatre, Bankside), Knives in Hens (Battersea Arts Centre), Personal Enemy (White Bear and New York), Accolade, Rigor Mortis, Fog, Don Juan Comes Back From The War, Perchance to Dream, Drama at Inish, In The Blood, The December Man, Beating Heart Cadaver, Blue Surge, The American Clock, His Greatness, Portraits and Mirror Teeth (Finborough Theatre), as well as on the Arden Project for the Old Vic and the Vibrant season at the Finborough Theatre.

Edward studied Music at Oxford University and subsequently trained as a composer and sound designer at the Bournemouth Media School. He works in theatre, film, television and radio. He has recently been nominated for several Off West End Theatre Awards, and films he has recently worked on have won several awards at the LA International Film Festival and Filmstock International Film Festival.