I’ve never been that interested in the idea of a ‘femme fatale’. What is that in today’s society? What woman is that confident/arrogant about her own attractiveness? I doubt anyone seen as gorgeously attractive – even a Hollywood star for example – doesn’t also have their own physical insecurities. Read more
They’ve all done re-imaginings of Carmen!
Reimagining Carmen – one of the most famous operas fullstop – for our Baseless Fabric #HighStCarmen version definitely feels more weighted than our previous Cosi Fan Tutte or Die Fledermaus. There is so much history to it and so many people have so many opinions on both the character of Carmen and the story itself! However, it is also one of the most adapted stories – in fact Bizet and his librettist collaborators (Henri Meilhac and Ludovic Halévy) adapted it themselves from Prosper Mérimée’s novella. And we are never ones to back down from a challenge of a bold re-imagining so here’s some of the good company we’re in – you might find a new favourite interpretation of this story yourself! Read more
We are delighted to announce the cast of Carmen:
Felicity Buckland – Carmen (Arcola Theatre)
Felicity trained at the RNCM and on English National Opera’s Opera Works programme.
Recent solo appearances include Kasturbai, Glass Satyagraha for ENO, Wellgunde Wagner The Rhinegold for Birmingham Opera and Nicklausse, Offenbach The Tales of Hoffmann for Kentish Opera. Previous ENO highlights include cover roles in The Valkyrie, The Mask of Orpheus (Birtwistle), Orpheus in the Underworld, Carmen, and Olivier-Award winning Porgy and Bess. Elsewhere she has sung the title roles in Carmen (Kentish Opera) and La Cenerentola (High Time Opera); Rosina The Barber of Seville (Opera South) Rossweisse Die Walküre (Grange Park Opera); Olga Eugene Onegin (Opera Up Close, Opera South East, Mid Wales Opera (cover)); Dorabella Così Fan Tutte (Baseless Fabric Theatre); Cherubino The Marriage of Figaro, and 3rd Lady The Magic Flute (both Opera Up Close). She is a regular extra chorister for The Royal Opera House, ENO and Opera North.
Felicity is in demand for solo oratorio, music education projects and consort/session work, and is delighted to be a regular part of Baseless Fabric’s Learning and Participation Projects. Read more
Grimeborn is the annual opera festival at one of London’s coolest theatres, The Arcola. Over the last ten years, the festival has become the home for adventurous takes on familiar classics, resurrections of forgotten gems, and premieres of brand new works. This year there are no less than 16 productions. There are £12 tickets available for each one. It’s cheap, it’s accessible – and it’s mindblowing when you realise how much there is to the opera world.
Don’t take our word for it. Here are some examples that we can’t wait for:
Somehow Scott Joplin, the ‘King of Ragtime’, is only known for his famous piano tune The Entertainer. But then you hear about an American opera-musical like this, entirely ahead of its time, entirely relevant still – and with a title like Treemonisha… well, you just kinda have to go!
Radical takes on opera classics – like Die Fledermaus
Our very own artistic director Jo Turner and composer Leo Geyer return with a new take of Strauss’ classic. Working with designer Marina Hadjilouca and lighting designer Jack Weir, Baseless Fabric will bring our street opera indoors for two performances only, for an entirely new take on our style of relevant, irreverent opera re-imagining. Find out more here. Read more
We had such an amazing time running our Merton Opera project Drifting Dragons this summer – we hope you managed to catch one of the performances on your high street or perhaps participated in one of our workshops at schools and young people’s groups in the area.
It was fantastic seeing the surprised faces in Morrisons and M&S as customers realised that other customers were opera singing their conversation! And we were delighted by the positive audience responses – everybody seemed surprised and pleased we’d gatecrashed their lives for 10mins in a public space as they went about their daily life, shopping, waiting for a bus or drinking coffee.
The biggest thanks to all of the local businesses across the borough of Merton that supported the project and allowed us to perform in their stores – Wyevale Garden Centre, The Gorringe Park Pub, Tesco Tooting, M&S and the Qube Centre, Café La Lavella and Morden Library, the New Horizon Centre and Pollards Hill Library, Starbucks & Waitrose Raynes Park, Tag Elezz Café and Morrisons Mitcham, Patisserie Valerie and Morrisons Wimbledon, Saucer & Cup and the Co-Op Wimbledon Park, Maison St Cassien and Bayley & Sage! And also thanks for those involved in our performances as part of the Arcola Theatre’s Grimeborn Festival – Café Route, Dalston Junction station manager, Dalston Square, Hackney Council and of course the Arcola itself. We had so much enthusiasm and support so thank you all! Read more
We are excited to announce the cast for our upcoming production of ‘Drifting Dragons’. This production is a new street opera coming to the streets of Merton and we’re also taking it to the Arcola Theatre’s Grimeborn Opera Festival
Felicity trained at the RNCM where she received the Eunice Pettigrew Prize and graduated with 1st Class Honours, and later on ENO’s Opera Works programme. She currently studies privately with Mary Plazas.
Her operatic appearances include Cherubino The Marriage of Figaro (Opera Up Close); Cupid Orpheus in the Underworld and Ida/cover Orlovsky Die Fledermaus (Opera Danube); Cunaide Iernin (Surrey Opera); Una, Kiss Me, Figaro! (Merry Opera) and Mercedes Carmen (Co-Opera Co). She has also spent seasons in the chorus at Opera Holland Park, Grange Park Opera where she covered Annina in La Traviata, and as a chorus mentor for Birmingham Opera.