The laughs come thick and fast; the score is cleverly conveyed by bassoon, violin and accordion (arranged by bassoonist Leo Geyer); and the singing is glorious.

An operetta that, in the wrong hands, can outstay its welcome was over too soon.

A delight to watch

Die Fledermaus was quite unlike anything I have ever seen within my lifetime

Leo Geyer and Joanna Turner have done a wonderful job in creating a modern libretto and production suitable for this High Street Format Opera

The music, while unconventionally bare and folk-like for opera, is beautiful – tonal and melodious.