Ok, first things first – ‘libretto’ is just the opera name for the words that the characters sing. I’d not written one before and now, for our upcoming production of Cosi Fan Tutte, I’ve tried my hand at this for the first time. It was quite hard! But really fun and exhilarating at the same time. And having worked as Assistant Director on Opera North’s production a few years ago, I knew this story inside out and so had very clear ideas about what I wanted to cut to make a shorter version (which bits of music though lovely don’t move the plot forward etc) and how I wanted to re-imagine this story for the modern world around us.
We are excited to be working with Attic Theatre Company and Merton Arts Space to bring together creative people living or working in the London Borough of Merton who may be interested in artistic collaboration in the area. We are holding an informal drinks and nibbles networking event on 15th May 2017 for artists of all disciplines to meet at Merton Arts Space to form new creative collaborations.
The event is hosted by Jonathan Humphreys, Artistic Director of Attic Theatre Company, and Joanna Turner, Artistic Director of Baseless Fabric in association with Merton Arts Space.
You do not need to be a professional artist – we are looking to get to know creative people of all disciplines who live or practice in the local area and are interested in artistic collaboration. You may be an old hand or a newbie or somewhere in between. You may have a definite role or just be curious to find out more. All are welcome.
We are excited to announce the cast for our upcoming production of ‘Drifting Dragons’. This production is a new street opera coming to the streets of Merton and we’re also taking it to the Arcola Theatre’s Grimeborn Opera Festival
Felicity trained at the RNCM where she received the Eunice Pettigrew Prize and graduated with 1st Class Honours, and later on ENO’s Opera Works programme. She currently studies privately with Mary Plazas.
Her operatic appearances include Cherubino The Marriage of Figaro (Opera Up Close); Cupid Orpheus in the Underworld and Ida/cover Orlovsky Die Fledermaus (Opera Danube); Cunaide Iernin (Surrey Opera); Una, Kiss Me, Figaro! (Merry Opera) and Mercedes Carmen (Co-Opera Co). She has also spent seasons in the chorus at Opera Holland Park, Grange Park Opera where she covered Annina in La Traviata, and as a chorus mentor for Birmingham Opera.