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Our next street opera!

We are super excited to announce that we have received funding from several amazing funders including Arts Council England and Wandsworth Council towards the Research & Development of our next street opera adaptation and a whole heap of associated activities – school workshops, elderly concerts & artist development. And this time it’s Donizetti’s The Elixir of Love so think love triangles, love potions & silliness all happening on South London high streets today. The adaptation will be written by the team behind our previous street opera adaptations – composer Leo Geyer and librettist Joanna Turner – so they will get cracking over the next few months and we’ll be sure to invite you to a taster sharing later in the year…. Exciting times!!

 

 

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Cosi Fan Tutte Collaboration with Opera Holland Park!

We are thrilled to announce that we have a pop up performance coming up this November in collaboration with Opera Holland Park! We are partnering with the lovely team at OHP to present a 25min section of our adaptation of Mozart’s Cosi Fan Tutte in the foyer of Chelsea & Westminster Hospital on Wednesday 15th November at 1.30pm. Usually OHP present a simple monthly concert of opera & classical songs here but we convinced them to try something a bit different!

Our Cosi Fan Tutte, first seen back in 2017, was the OffWestEnd Award Finalist for Best Opera Production and gained 5 star reviews from Operissima. With a modern English libretto by Joanna Turner (with new 2023 updates – because social media has changed since then don’t ya know!!) and a new piano arrangement by Leo Geyer, Constella Music as this won’t be a promenade performance but Chelsea & Westminster Hospital have a piano in their foyer!

So come join us on 15th November to see a revival of our Baseless Fabric adaptation in an exciting new space! We can’t wait to see you there!

What amazed me about the Baseless Fabric experience is how naturally this production fits into its locations, a testament to the scrupulous research work which must have gone on beforehand, as well as the quality of everyone’s performances.- , Operissima
This production is tremendous fun- , LondonTheatre1.com

 

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Cast Announced for our Carmen R&D!

Tomorrow marks the start of our research and development workshop for our latest re-imagining, Carmen. This follows on from our acclaimed Die Fledermaus (4 stars The Guardian & The Stage) and Cosi Fan Tutte (Best Opera Production Finalist, OffWestEnd Awards). Over the course of 3 days we will be exploring our version of the piece, with a new modern English libretto by Joanna Turner, and score for violin, accordion and bassoon arranged by Leo Geyer.

Our work will culminate in a free sharing at 4.30pm at Lantern Arts Centre. If you’d like to attend you can sign up for tickets here. Read more

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Carehomes Carpark Die Fledermaus!

Die Fledermaus Arcola Theatre

David Horton as Eisenstein & James McOran-Campbell as Falke

Despite the grey January days this particularly bleak January we have something very exciting to look forward to this summer! With the hugest thanks to the Postcode Community Trust, we are thrilled that later this year when the weather warms up, Covid restrictions are lifted a little and hopefully many carehome residents will have received their vaccine, we are able to offer South West London carehomes a FULL PERFORMANCE of our acclaimed re-imagined Die Fledermaus (4 stars – The Guardian)!

As with our recent carehome concerts, these performances will again take place in the carpark or garden of the care homes to keep residents, staff and artists safe in these changing challenging times. And we are thrilled that this time rather than just concerts we can offer a full performance of Die Fledermaus giving residents and staff an opportunity to enjoy the full story of Strauss’ operetta. Read more

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It’s our 5th Birthday!

We’re 5 years old! On 22nd December 2014 we nervously registered Baseless Fabric as an official company and set up a meeting with a business bank account manager. It was all a bit scarily official. So how do we do this then?! Run a company, make work in public spaces, engage with our local community…

It’s been a quite mental 5 years and we have learned such a lot both creatively and practically in working out how to make it all happen. We couldn’t have done it without your support.

A First Class Death (2015)

A First Class Death at VAULT Festival, A Secret Life with Theatre 503, Reunion & Dark Pony in South London libraries, street operas Drifting Dragons, Cosi Fan Tutte and Die Fledermaus, Mitcham Library drama workshops, countless Opera Taster Workshops for local schools & sessions with elderly groups, and recently also 2 parallel productions for schools offering young people a chance to engage, explore and be imaginative with opera over a 7 month project. Not to mention becoming a charity 4 years ago! Read more

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Talking opera at the Wimbledon Tennis Championships

Leo and Jo at Wimbledon Tennis Championships

Leo and Jo at Wimbledon Tennis Championships

This week our Artistic Director Joanna Turner & General Manager Leo Mercer headed to the Wimbledon Championships and Jo chatted to the Wimbledon Channel & everyone on Henman Hill about our exciting Die Fledermaus project supported by the Wimbledon Foundation’s Arts & Community Engagement Fund. Read more

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What is Grimeborn?

The Arcola (Dalston)

Grimeborn is the annual opera festival at one of London’s coolest theatres, The Arcola. Over the last ten years, the festival has become the home for adventurous takes on familiar classics, resurrections of forgotten gems, and premieres of brand new works. This year there are no less than 16 productions. There are £12 tickets available for each one. It’s cheap, it’s accessible – and it’s mindblowing when you realise how much there is to the opera world. 

Don’t take our word for it. Here are some examples that we can’t wait for:

Bringing back unknown operas to life – like Scott Joplin’s Treemonisha

Somehow Scott Joplin, the ‘King of Ragtime’, is only known for his famous piano tune The Entertainer. But then you hear about an American opera-musical like this, entirely ahead of its time, entirely relevant still – and with a title like Treemonisha… well, you just kinda have to go!

See also Aaron Copland’s Twelve Poems by Emily Dickinson.

Radical takes on opera classics – like Die Fledermaus

Our very own artistic director Jo Turner and composer Leo Geyer return with a new take of Strauss’ classic. Working with designer Marina Hadjilouca and lighting designer Jack Weir, Baseless Fabric will bring our street opera indoors for two performances only, for an entirely new take on our style of relevant, irreverent opera re-imagining. Find out more here. Read more

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2018, what a year…

What a year 2018 was for Baseless Fabric! We began the year with the thrilling news that we were the first recipient of the Wimbledon Foundation’s prestigious new Arts and Community Engagement Fund for our new street opera project Die Fledermaus!

This project, with the additional support of Arts Council England, Merton Council and the Samuel Gardner Memorial Trust, encompasses the creative adaptation of an opera for the high street, the free professional performances, workshops for both schools and elderly lunch clubs and two school parallel productions! So while the project has similarities to our previous street operas Drifting Dragons and Cosi Fan Tutte, it is also bigger and better than ever! Read more

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Fancy a sneak peek of our new street opera?

 

This event is in the past. Check out our upcoming productions page for what’s coming up!

The Production

Die Fledermaus is a hugely fun, often silly story with some brilliant characters and very catchy tunes. Die Fledermaus means ‘The Bat’ but in our modern version Bat Man may play a role instead! Funded by the Wimbledon Foundation’s new Arts and Community Engagement Fund (ACE), Arts Council England, Merton Council and the Samuel Gardner Memorial Trust, our Die Fledermaus production follows on from the success of our two previous Merton Street Operas Drifting Dragons and Cosi Fan Tutte. Like these previous productions, Die Fledermaus has been cut to approximately an hour, with a new modern English accessible libretto, and with the music re-written for 3 instruments suitable for promenade performance. The final production will take place in summer 2019 with scenes popping up along the high street and with the audience free to follow our characters down the street or just watch one scene. The music has some waltzes this time round so hope you’ll be waltzing down the high street with us!

The Free Sharing

On the 29th November at Wimbledon Theatre Studio we will be presenting a few scenes from our new adaptation, discussing our work and asking for your feedback (duration approximately an hour). If you would like to join us please click to book your ticket now. Tickets are FREE but limited so please register.

 

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Re-imagining opera for the high street: the libretto

After the success of last year’s Cosi Fan Tutte and with the amazing opportunity afforded by Wimbledon Foundation’s Arts & Community Engagement Fund, we were excited to get to work on the tricky but satisfying process of adapting another opera for performances along the high street to reach audiences who might never go to see an opera in a traditional opera house / theatre venue.

As we’d had such positive audience responses to our adaptation of Cosi, we decided to have the same team re-writing Die Fledermaus – myself, Artistic Director Joanna Turner, re-writing the libretto (the words the characters sing) and Leo Geyer re-writing the music (changing what’s written for a full orchestra to 3 instruments, changes to vocal lines and of course making sure our massive cuts work musically). Together Leo and I also cut the opera down to about an hour and adapt it to make sense for the modern high street. Read more

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